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Stanley Kubrick, Director: A Visual Analysis, by Alexander Walker
Free Download Stanley Kubrick, Director: A Visual Analysis, by Alexander Walker
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Review
The definitive book on the director. -- Publishers Weekly
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About the Author
Ulrich Ruchti is an award-winning designer of international reputation.Sybil Taylor is an author, editor, and journalist.Alexander Walker is the author of over twenty books.
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Product details
Paperback: 384 pages
Publisher: W. W. Norton & Company; Revised and Expanded ed. edition (September 17, 2000)
Language: English
ISBN-10: 0393321193
ISBN-13: 978-0393321197
Product Dimensions:
7.3 x 0.9 x 10 inches
Shipping Weight: 2.1 pounds (View shipping rates and policies)
Average Customer Review:
4.0 out of 5 stars
13 customer reviews
Amazon Best Sellers Rank:
#87,308 in Books (See Top 100 in Books)
The content is amazing and a must for a Kubrick fan.The book has plenty of typos.My only really BIG disappointment is that, with all the great content and quotations from Kubrick, there isn’t a bibliography or works cited section. I even tried googling an awesome Kubrick quote and could not find it. NO SOURCES? RIDICULOUS!
For a film book that calls itself a "visual analysis" this volume has the worst image reproductions of any film book I've ever seen. Most of them are black and white, and so poorly reproduced they make every film look like "Battleship Potemkin". There are only eight pages of color images, but the color is washed out and looks sun faded. Only "2001", "Barry Lyndon", and "Eyes Wide Shut" are represented in the "color" section. Seriously, it looks as if they ran the videos and took photos of the television screen. Also, you will find that several films are not covered in any depth whatsoever. This is a poor tribute to Kubrick.
borrowed from a friend and had to have my own copy. Really fun read, beautiful stills. Big fan of Kubrick.
Great
This book is extremely insightful. I was impressed with how in depth it went, great analysis of Kubrick's work. Great great read.
O melhor livro sobre Kubrick se você pretende ter uma visão mais acurada das imagens e intenções de seus filmes. Bem mais gratificante do que ler a biografia feita por LoBruto. Walker analisa o trabalho de Kubrick para esplicar o autor e não o contrário, como o acima citado autor. Só na análise das cores nos filmes é que o livro é um tanto rasteiro, pedindo por uma ampliação. Mesmo assim, é melhor do que nada, visto a escassez desse tipo de discussão em outros livros sobre o autor.
Alexander Walker (with Ulrich Ruchti and Sybil Taylor): Stanley Kubrick directs, A visual analysis by Halycon. Brace, Hart, Jovanovic, New York. Expanded edition, Norton 2000 (1971)Editorial Note: Alexander Walker's Stanley Kubrick, Director is the only book ever written with Kubrick's cooperationIt is not uncommon that a young critic writes about a relatively young cineaste, and that his opus, for long after (often expanded), remains the standard work on that film maker. Walker for Kubrick, Richard Round for Godard – both of my samples are British authors, but it is not a country specific syndrome. Typically, many of the major films are out – like with Kubrick Paths of Glory, Dr Strangelove, A Clockwork Orange, and the Space Odyssey – but not necessarily all, and equally typically, the critic includes the new works in his analysis at some stage of revision and reprint.Also typically, these analyses are to some degree by individual film, but their scope is often analytical, wider: a visual analysis with Kubrick, by story lines and narrative treatment by Godard. The lack of this analytical dimension, as I have often said, limits many studies, and most biographies, which become extensively enumerative but weak on substance and analysis. Often earlier and often overlooked films like The Killing and Killer’s Kiss, made back in the mid-fifties, are rediscovered in the process and get a revaluation – take the killing, a masterpiece in both action and psychology. Walker’s opus is now with added authors, revised and expanded to discuss all of Kubrick's films.Walker (1930-2003) worked for the Birmingham Post in the 1950s, before becoming film critic of the London Evening Standard in 1960, a role he retained until his death. He was a highly influential figure within the film industry, and also next to the ones on Kubrick, wrote a number of books: A history of the impact made on Hollywood by the rise of the talkies (The Shattered Silents) and a biography of Elizabeth Taylor. His most extensive work is a history of British cinema, spread over three books: Hollywood England, National Heroes and Icons in the Fire. To end: Walker described A Clockwork Orange as ''a bold, forceful, imaginative allegory of the power of society to contain the non-conformist individual''; he was never afraid to take up his own non-conformist position on films and then defend it.fbuk 106 Walker-Kubrick, Brace, Hart, Jovanovic, New York. Expanded edition, 1972 – 18/11/2013
This is an interesting book, with a huge number of photographs detailing most of Kubrick's films. (The only ones not examined in depth are 'Fear and Desire,' 'Killer's Kiss,' 'The Killing,' 'Spartacus,' and 'Lolita.') The book is organized chronologically, with a small section in the middle of the book about Kubrick's use of color and an epilogue detailing Walker's personal encounters with Kubrick at the end. It is fun to read about Walker's stories about Kubrick, which shed some all-too-needed light on the personal life and motivations of the reclusive filmmaker.On the whole, Walker's analyses of Kubrick's films are good, not great: I think he is really off-base in praising Tom Cruise's acting in 'Eyes Wide Shut' and in denigrating Kubrick's use of the occult in 'The Shining.' However, his analyses of 'Barry Lyndon' and 'Full Metal Jacket' were astute, and he successfully links certain themes and motifs throughout all of Kubrick's films.Finally, although normally I don't like a huge amount of pictures in a book because of how they always jack up the price, here the pictures are well-chosen and either help jog your memory about the films or help you understand them if you haven't seen them. I will say that some of the pictures were much larger than they needed to be - I didn't need a full two-page spread of the atomic bomb exploding in 'Dr. Strangelove' - but that's a minor criticism.All in all, a generally fun book.
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